Thursday, April 16, 2020

Thunderstorm! Decibel! Crazytimes!

Hi. How are things? I sincerely hope you’re all staying safe and healthy and sane. It’s a strange moment in time, to say the least.

I wanted to drop in here with some little updates, since - despite the somewhat apocalyptic feel of things out there - a number of interesting developments have happened in the last several weeks.

First of all, my book Triple Axe recently received the limited edition hardcover treatment from Thunderstorm Books. This is the first time one of my books has gotten a hardcover edition, and I couldn’t be happier with the result. The jacket art is by Erik Wilson, whose art I’ve admired for years. Sadly, this edition is sold out. Being part of Thunderstorm’s Black Voltage Private Reserve series, most of the 36 copies (talk about limited edition!) went out to series subscribers, and any leftover copies disappeared pretty much immediately. If you got one of these, consider yourself pretty lucky!

Next, I was asked to put together an extreme music playlist for the mighty Decibel magazine, for their regular feature, Tales From the Metalnomicon. I jumped at the chance, and in the process, realized my list was taking shape in '90s-centric form. So I leaned into that, and assembled a group of 9 songs from the '90s, including stuff from Carcass, Godflesh, Morbid Angel, and Skinny Puppy, among others, while Shawn Macomber from Decibel had some incredibly nice things to say about my fiction. You can check out the entire article and listen to the music here.

And finally, this past weekend, my next book, Crazytimes, was announced. Here’s the synopsis:

You wake up Monday morning and everyone is crazy. Everyone was already crazy, though, right? But somehow things are worse today. People are angry, throwing chairs out of office windows, eating rocks, violently scratching their necks, and running naked through the streets. They’re killing each other for no reason and laughing through the carnage. The whole city is like this. And meteors are falling from the hazy skies above. How are you going to survive? Do you even want to? This isn’t just another manic Monday. This is Crazytimes.

If that sounds like your kind of thing, the ebook is up for preorder now, and will be unleashed upon this crazy world through Grindhouse Press, alongside the paperback, on May 19. I’m excited for people to read it, and I hope you’ll consider picking up a copy.

Wednesday, March 18, 2020

Kindle Sale!

Hi everyone. I hope you’re all staying safe, staying inside, and staying healthy. I just wanted to pop in here and let you know that the Kindle versions of all my books are currently just .99 - in both the US and UK Amazon stores. The sale lasts through this weekend (give or take a few hours, depending on where you are in the world), so get yourself something to read, sit back, and enjoy. Please spread the word, post reviews, and most importantly, don’t forget to wash your hands!

Triple Axe: US / UK
Slices: US / UK
SuperGhost: US / UK

Wednesday, December 11, 2019

20Q7A: An interview with A.S. Coomer

20 Questions, 7 Answers is an interview series for writers of genre fiction. Each author receives the same batch of 20 questions, but they may only answer 7.

This week's guest is A.S. Coomer.


What's your latest book, and how does it differ from your previous work?

My most recent published book is The Devil’s Gospel (Wild Rose Press), a thriller set in the rolling hills of eastern Kentucky. This book delves into religious fanaticism and wayward parental expectations, which makes it somewhat similar to The Fetishists (Grindhouse Press) as they’re both subversive in nature. The Devil’s Gospel isn’t quite as extreme as The Fetishists is in its methods though.

I’ve got two new books coming out in the next two months. They’re both different from each other and from the things I’ve had published in the past. I’m deathly afraid of standing still. The Flock Unseen (Clare Songbirds Publishing House) is my first short story collection and these four stories are about the thin line separating hope and loss, a step away from horror & genre writing. My next novel, my fifth, is unlike anything I’ve written. Memorabilia (11:11 Press) is experimental and deals with meaning and meaninglessness and the act of creation. I focused intensely on the prose and the way it correlated with the protagonist’s corroding mental health.

Do you have any creative endeavors other than writing fiction (art, music, knitting)?

I do. I’m a musician as well as a writer. I write and play solo as A.S. Coomer and with my band The Coomers. The Coomers just released a six-song live EP Live at MotherBrain, which was recorded without overdubs in a barn in Evansville, Indiana on a rainy night last April. I also compose and record ambient instrumentals and tone pieces. I haven't released any of these just yet, but that day is coming. I’d like to get my foot in the door scoring films one of these days too.

I also make visual art when time permits. I like pen and ink drawing and oil painting.

Who or what is your favorite movie monster, and why?

Godzilla. Godzilla because Godzilla, though Vigo the Carpathian & Gozer the Gozerian are neck and neck for second place.

Do you listen to music when you write, and if so, what? Is it different than what you listen to when you're not writing?

I do listen to music when I write. The style of music depends on the project. Right now I’m working on something very dark and heavy so the music reflects this: lots of sludge and doom. For Memorabilia I listened to a lot of ambient and instrumental music: composers like William Basinski and bands like Hammock & Explosions in the Sky. The music I listen to when I write is not necessarily different from what I listen to when I'm not writing. I tend to gravitate to musics with less words when I write but this is not a hard and fast rule. I don't like rules for the most part.

If you could invent a new sport, what would it be like?

NASCAR but with hand and land grenades.

What was your greatest Halloween costume?

This year I got away with wearing a Batman onesie. The Coomers played a set at Flywheel Brewing in Elizabethtown, KY and it was probably the steamiest set we’ve played because of it.

What's your secret?

I have absolutely no clue what I’m doing in anything. Life is confusing and I’m out here just winging it. The more I look around the more I think I’m not the only one with this secret.


A.S. Coomer is a writer, musician, and taco fanatic. A.S. was commissioned a Kentucky Colonel, the highest honor bestowed by the Commonwealth of Kentucky, for his literary and creative endeavors & contributions. Books include Shining the Light, The Fetishists, Misdeeds (forthcoming), Flirting with Disaster and Other Poems, The Devil's Gospel, The Flock Unseen (forthcoming), and Memorabilia. He runs Lost, Long Gone, Forgotten Records, a "record label" for poetry, and co-edits Cocklebur Press. He plays guitar and sings in The Coomers.

Wednesday, November 13, 2019

20Q7A: An interview with Sam Richard

20 Questions, 7 Answers is an interview series for writers of genre fiction. Each author receives the same batch of 20 questions, but they may only answer 7.

This week's guest is Sam Richard.


What's your latest book, and how does it differ from your previous work?

I have two latest books that are different in a multitude of ways. The first is my short-story collection, To Wallow in Ash & Other Sorrows, which came out mid-October through NihilismRevised. It differs from my previous work in that it is my first stand-alone book. It's 9 stories, 7 of which were written in the wake of my late wife's unexpected death in 2017. These stories are my grief, shock, and utter confusion as I tried to come to terms with what happened. It's weird and transgressive horror that simply drips with grief. It absolutely marks a change in my writing as the personal aspect is much more pronounced.

The second is The New Flesh: A Literary Tribute to David Cronenberg, of which I am both the publisher (through my own Weirdpunk Books) and co-editor (along with Brendan Vidito). This is a big change in several ways. I co-edited the first two Weirdpunk Books anthologies with Emma Alice Johnson, who also ran the press at that time. The third Weirdpunk Books anthology, Zombie Punks Fuck Off, while I edited it alone, was co-published with Clash books, as I had just taken over Weirdpunk and had no idea what I was doing, haha. With The New Flesh, this is the first Weirdpunk book that I had control of from start to finish and had my hands in every aspect of publishing the book. It is also the first time I've worked on a project with co-editor Brendan Vidito, who has been a close friend for several years and I had always wanted to do a project with. And finally, this is the first Weirdpunk Books anthology that isn't punk-forward. The aim of the press when Emma was running it was very much about having the punk element front and center. For me, I'm much more concerned with the diy punk ethos being the spirit in which the press operates, as opposed to needing to be the central focus. So that's kind of a big change. Barring issues with the proof copy, The New Flesh will be out the week of Halloween.

Do you have any creative endeavors other than writing fiction (art, music, knitting)?

In addition to writing, editing, and publishing, I also play guitar in 2 bands. The first is called Ash Eater and it is my excuse to be in a band with several of my close friends. We play weird, dark, heavy music that we are unable to fully classify. It's like a stew of crusty hardcore and sludge with occasional blackened vibes, grind passages, and catchy weirdo riffs. We've been playing occasional shows around Minneapolis and our demo should be out before the end of the year.

I also play in a band called Daoloth, which is black metal. This was a project that I was working on a number of years ago that got pushed to the back due to life stuff getting in the way. The drummer and I are just starting to get this up and going again with the goal of tightening up the old songs and finally getting them recorded. This is the musical project that will be the vehicle for my grief, as I've kept that aspect largely out of Ash Eater (aside from the name). As best as we can tell, this will likely remain a studio-only project.

Who or what is your favorite movie monster, and why?

This is one of the hardest questions I've ever been asked...

I'm a massive fan of werewolves, despite thinking they're nearly always done poorly. Something about a person reduced to nothing but primal prey-drive and fully rewilded is incredibly compelling to me, so I'm tempted to go with that, but I actually think my true answer is the Ghoulies. Small-creature horror is one of my all-time favorite genres - so much so that I'm currently shopping a novella I wrote in that vein -  and Ghoulies is probably my favorite entry. I guess that makes the actual answer simply, "demons," but Ghoulies are some kind of special demons. And, if I'm forced to get specific, Green Baby (the unofficial name of the small, bald, green Ghoulie that my friends and I use) is probably my favorite of the Ghoulies. So, I guess my answer is Green Baby. But no one would know what the fuck I was talking about if I just said my favorite movie monster was Green Baby.

What happens when you die?

I like how this question could be interpreted generally, like "What happens to us when we die," but is actually super-specific to the interviewee. What happens when I die is the world ends. And I don't mean that to be taken as some kind of ego thing. I think this is true for all of us.

What are your 3 favorite comic books (standalone novels or ongoing series) of all time?

Absolutely and without question, my number 1 is The Invisibles, Grant Morrison's master-work of surreal, conspiracy-laden, radical-politics filled, occult how-to-manual, post-modern art as comic-book. There's nothing like it. Number 2 is probably Alan Moore's Swamp Thing run. Holy fuck is that comic amazing. Poetic, beautiful, haunting. It's just a cut above everything from that era. Number 3 is harder to pin down. I love shit like Charles Burns' Black Hole, Hans Rickheit's Chloe, and Daniel Clowes' Like a Velvet Glove Cast in Iron so I really want to rep some of those weirder 'indie comics', but at the same time I'm pretty sure my 3rd pick is another classic Vertigo title with Peter Milligan's Shade: the Changing Man. This is a comic that not enough people have read and y'all need to get your shit together and check it out. I can't really even put it into words. It's just incredible. I know that there's a ton of rad stuff happening in comics these days (with much of it being written and drawn by a more diverse crowd than the same old 8 white British/Scottish/Irish dudes), but I'm just not as plugged into comics as I once was, so I'm leaning on old favorites.

What is your writing environment like? (Are you out in public or in seclusion? Is there noise? Is there coffee? Do you type on a laptop or write longhand on lined notebook paper?)

I tend to alternate between writing on my couch and writing at my desk. I generally need seclusion, though I can write if someone else is in the room also doing something quiet (like reading or drawing or also writing), so no coffee shop for me; though I will occasionally write at work on my lunch break. If at home, I tend to throw on music that's heavily atmospheric that has no vocals (CryoChamber mixes, The Haxan Cloak, Black Mountain Transmitter, horror scores) and I pour myself a bourbon and grab a beer. Most writing days, I sit and slowly chip away at the first hour or so, once I get past that my productivity tends to increase from there. I generally write on my laptop, though I occasionally scribble shit down on paper and then revise as I transcribe it.

What was your greatest Halloween costume?

One Halloween, a group of my friends and I all made masks like they wear in the original Wicker Man movie and went as a group of Summerisle people. That was a lot of fun. But I think the greatest costume I ever did was with my friend Glenn, who is the other guitar player in Ash Eater. One year, she and I each made costumes that looked like we were members of The Process Church of the Final Judgement. We had black cloaks on, like they would wear, with shirts that had the Processean symbol and the Goat of Mendez sewn onto them. I printed out these little cards that had the iconic photo of Robert de Grimston and made stamps of the Processean symbol and inked them onto the backs. We just handed them out to people at a party and tried to talk with them about joining our group. A few of our friends knew what we were, but I think it was a bit esoteric for most. Either way, I'm super proud of that one.


Sam Richard is the owner of Weirdpunk Books, the editor of Zombie Punks F**k Off, and the co-editor of both The New Flesh: A Literary Tribute to David Cronenberg and Hybrid Moments: A Literary Tribute to the Misfits. His writing has appeared in such varied publications as Lazermall, Strange Stories of the Sea, Breaking Bizarro, Dark Moon Digest, and many others. Recently a widower, his primary focus is on writing weird, transgressive horror with an emphasis on grief. His debut short-story collection, To Wallow in Ash & Other Sorrows came out Fall of 2019 through NihilismRevised and he slowly rots in Minneapolis, MN with his dog Nero. You can find him on Twitter and Instagram: @SammyTotep and at

Wednesday, November 06, 2019

SuperGhost Lives!

I’m happy to share the news that my first book, SuperGhost, is finally back in print! Here’s the description:

Mad Science, Phantom Limbs, Giant Monsters, and Ice Cream!

Darren Legend is a former construction worker who’s lost his right arm. Michelle Mayfair is a former Olympic runner who no longer has her legs. And Dr. Griffin Rains wants to talk with both of them. He’s a “phantom limb therapist”...who may also be a megalomaniacal mad scientist.

When Dr. Rains assembles a giant ghost-monster from the phantom limbs he’s stolen from hundreds of amputees, the city is in for the most bizarre nightmare it’s ever seen. And it’s up to Darren and Michelle, with the help of a few friends, to stop Rains and the strange terror of the SuperGhost!

So if you didn’t catch it on the original release (or even if you did!), you can now pick up the reissue, featuring a fresh cover (also designed by me), revised/re-formatted text, and an ALL-NEW bonus prequel short story entitled "The Science Fair".

Available NOW in paperback and ebook. Also available via Kindle Unlimited.